2019
If Trash Could Talk, Interview with Alicia Grullón and Nelson Molina, for the catalogue of What is Here is Open: Selections from the Treasures in the Trash Collection, Hunter East Harlem Gallery, 2019
2018
Grey Area, catalogue essay, published for the exhibition, Dust Specks on the Sea: Contemporary Sculpture from the French Caribbean & Haiti, Hunter East Harlem Gallery, 2018.
2017
Museum as Think Tank, essay for Research Convening: Perspectives on Exhibiting Social Practice in Museums, Independent Curators International Journal, 2017.
2016
Exhibition of Force, contribution by Arden Sherman and Julian Myers Szupinska on the revamped SFMOMA, The Exhibitionist Journal Blog, April 2016.
Pass It On: 6 Tips to Conduct a Great Studio Visit, contributor, Creative Capital Blog, June 2016
Community Bones, catalogue essay, published for the exhibition Spots, Dots, Pips, Tiles: An Exhibition about Dominoes, Hunter East Harlem Gallery, Fall 2016.
Pass It On: 6 Tips to Conduct a Great Studio Visit, contributor, Creative Capital Blog, June 2016
Community Bones, catalogue essay, published for the exhibition Spots, Dots, Pips, Tiles: An Exhibition about Dominoes, Hunter East Harlem Gallery, Fall 2016.
2015
Pay What You Wish, contribution on the 2015 Creative Time Summit, The Exhibitionist Journal Blog, December 2015.
A Question of Passing, catalogue essay for the exhibition, If You Leave Me Can I Come To?, Hunter East Harlem Gallery, Fall 2015.
Hiram Maristany: The Neighborhood Anchor, catalogue essay for the exhibition, Anchor: An Exhibition Centered on the Photography of Hiram Maristany, Hunter East Harlem Gallery, Spring 2015.
A Question of Passing, catalogue essay for the exhibition, If You Leave Me Can I Come To?, Hunter East Harlem Gallery, Fall 2015.
Hiram Maristany: The Neighborhood Anchor, catalogue essay for the exhibition, Anchor: An Exhibition Centered on the Photography of Hiram Maristany, Hunter East Harlem Gallery, Spring 2015.
2013
Proposal for a Museum: Mise en green, SFMOMA Open Space Blog, edited by grupa o.k., January 2013.
Beyond Documentation: The Exhibition Photography of Shunk-Kender and Balthasar Burkhard, peer reviewed essay, Journal of Curatorial Studies, Volume 2, Number 1, February 2013, pp. 90-110(21).
The Green Inside the White Cube, essay for exhibition catalogue, Unless Otherwise Noted curated by Marina Norohna for CCS Bard Graduate Thesis exhibition, less like an object more like the weather, 2013.
Jet-Ski Scam in Thailand by Rirkrit Tiravanija, contribution to Dream Exhibitions for Art F City, edited by Corinna Kirsch, November 2013.
Beyond Documentation: The Exhibition Photography of Shunk-Kender and Balthasar Burkhard, peer reviewed essay, Journal of Curatorial Studies, Volume 2, Number 1, February 2013, pp. 90-110(21).
The Green Inside the White Cube, essay for exhibition catalogue, Unless Otherwise Noted curated by Marina Norohna for CCS Bard Graduate Thesis exhibition, less like an object more like the weather, 2013.
Jet-Ski Scam in Thailand by Rirkrit Tiravanija, contribution to Dream Exhibitions for Art F City, edited by Corinna Kirsch, November 2013.
2010
Pictures of Exhibitions: An Interview with the photographer Balthasar Burkhard, HSz: As is/As if, Fall 2010.
How to Tattoo a Phantom Interview with Lawrence Weiner for the exhibition catalogue, We have as much time as it takes, CCA Wattis Institute for Contemporary Art, Spring 2010.
How to Tattoo a Phantom Interview with Lawrence Weiner for the exhibition catalogue, We have as much time as it takes, CCA Wattis Institute for Contemporary Art, Spring 2010.
